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Marilou is everywhere  Cover Image Book Book

Marilou is everywhere

Smith, Sarah 1947- (author.).

Record details

  • ISBN: 9780525535249 :
  • ISBN: 0525535241 :
  • Physical Description: print
    276 pages ; 24 cm
  • Publisher: New York : Riverhead Books, 2019.
Genre: Bildungsromans.

Available copies

  • 2 of 2 copies available at BC Interlibrary Connect.

Holds

  • 0 current holds with 2 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Kitimat Public Library Smi (Text) 32665002196923 Fiction Volume hold Available -
Grand Forks FIC SMI (Text) 35142002683653 Adult Fiction Volume hold Available -

  • Booklist Reviews : Booklist Reviews 2019 July #1
    In rural Pennsylvania, just up the road from the crowded place where 14-year-old Cindy and her two brothers live (sans parents), older teen Jude and her witchy mom, Bernadette, have a sprawling estate to themselves. When Jude disappears, locals expect the worst, and Bernadette, about whom rumors already flew, loses any remaining grip on reality. Without much intention, Cindy becomes Bernadette's caretaker, trying to keep her from burning down the house or drinking herself to death, and soon becomes Jude in Bernadette's eyes. A crucial moment arrives when Cindy must commit to Bernadette's presumption, or come clean. This is a mysterious and strangely exciting debut. Smith is a poet, and writes in sensory-driven, soul-tapping prose: I had a way of standing around which indicated I would like to be pulled inside out and swiftly disappeared from the earth. Despite her isolation, professed ignorance, and desire to self-annihilate, bright and brave narrator Cindy understands much of the world, its hardships and moral quandaries, and the startling lack of guarantees that come with being born. Copyright 2019 Booklist Reviews.
  • BookPage Reviews : BookPage Reviews 2019 August
    8 new voices to discover

    It's tough out there for a debut author, but these eight newcomers get nothing but love from us.


    Amanda Lee Koe, author of Delayed Rays of a Star 

    The book: This century-spanning work charts the rise and fall of three of the most famous women of 20th-­century cinema: Marlene Dietrich, Anna Mae Wong and Leni Riefenstahl.

    The author: At 25, Amanda Lee Koe became the youngest-ever winner of the Singapore Literature Prize for her story collection Ministry of Moral Panic. She is the fiction editor of Esquire Singapore and the editor of the National Museum of Singapore's film journal, Cinémathèque Quarterly.

    For fans of: Novels that place art within the context of history, like The Last Painting of Sara de Vos by Dominic Smith. 

    Read it for: Prose to get lost in, plus a heartfelt tribute to cinema history and the complicated lives of notable women.


    Kira Jane Buxton, author of Hollow Kingdom

    The book: A foul-mouthed, Cheetos-loving crow named S.T. goes on an adventure to save humanity from doom.

    The author: Kira Jane Buxton has been previous published in the New York Times, McSweeney's and more. She lives in Seattle, Washington, with a menagerie: three cats, a dog, two crows and plenty of hummingbirds.

    For fans of: All creatures great and small, as well as funny fantasy authors like Neil Gaiman, Terry Pratchett and David Wong.

    Read it for: A totally fresh take on the apocalypse, peppered with hilarious philosophical discourse and a fascinating, imaginative animal world.


    Elizabeth Macneal, author of The Doll Factory 

    The book: An intricate web unfolds in 1851 London, where an aspiring artist is stalked by a creepy taxidermist.

    The author: Scotland-born Elizabeth Macneal is a potter based in East London. She won the Caledonia Novel Award for this debut.

    For fans of: Victorian gothic fiction, Jessie Burton, Sarah Waters and Imogen Hermes Gowar.

    Read it for: A darkly beautiful exploration of the razor's edge between creation and destruction.


    Tope Folarin, author of A Particular Kind of Black Man 

    The book: The son of Nigerian parents—including a mother who shows signs of mental illness—grows up in a very white Utah in the late 1980s and early '90s.

    The author: A Nigerian-American author based in Washington, D.C., Tope Folarin won the 2013 Caine Prize for African Writing and was recently named to the Africa39 list of the most promising African writers under 40.

    For fans of: Coming-of-age immigrant stories, Imbolo Mbue, Nicole Dennis-Benn and Zinzi Clemmons.

    Read it for: Acrobatics in structure and pacing, meditations on memory, layers upon layers to unravel and a sharp perspective of the social structures in white and black communities.


    Sarah Elaine Smith, author of Marilou Is Everywhere

    The book: In northern Appalachia, a 14-year-old girl tries to escape a bleak life by slipping into the place left behind by an affluent teen who has gone missing.

    The author: Sarah Elaine Smith holds two MFAs: fiction from the Iowa Writers' Workshop and poetry from the Michener Center for Writers.

    For fans of: Novels that delicately balance the brutal and the beautiful, like Julie Buntin's Marlena.

    Read it for: A mesmerizing blend of dream and reality, wrapped in a palpable love of language and plenty of suspense.


    Natalie Daniels, author of Too Close 

    The book: Connie has found a new friend in fellow mom Ness. But jump forward in time, and Connie has been institutionalized for a crime, and her disturbing story sounds strangely familiar to her psychiatrist. Is Ness at the heart of this tale of madness and toxicity?

    The author: Natalie Daniels is a pseudonym for London-based actor and screenwriter Clara Salaman.

    For fans of: Provocative, well-written thrillers by Laura Lippman and Alison Gaylin.

    Read it for: Entertaining thrills and a perceptive exploration of the way women's relationships are portrayed in fiction.


    Chanelle Benz, author of The Gone Dead 

    The book: A multiracial woman returns to her childhood home in Greendale, Mississippi, to reckon with weary prejudices and the truth of her father's death.

    The author: Chanelle Benz's 2017 story collection, The Man Who Shot Out My Eye Is Dead, was long-listed for the 2018 PEN/Robert Bingham Prize for Debut Fiction. Benz lives in Memphis and teaches at Rhodes College.

    For fans of: Complicated family stories, wonderful casts of characters, Stephanie Powell Watts, Jesmyn Ward and Celeste Ng.

    Read it for: An actor's ear for dialogue, flawless directorial vision and the many sprawling, tension-building perspectives of the American South.


    Zach Powers, author of First Cosmic Velocity 

    The book: It's 1964, and the space race is in full swing. The Soviet launch program seems to be a success, but it's a ruse. Instead, the program relies on twins: The cosmonaut twin perishes, while the living twin survives on Earth, assuming the life of their deceased sibling.

    The author: Zach Powers is the author of Gravity Changes, an award-winning short story collection. He lives in Arlington, Virginia, and works with the Writer's Center in Maryland.

    For fans of: Original alternate histories and juicy tales of Soviet secrets.

    Read it for: The psychological burden placed on the twins who are selected to survive.

    Copyright 2019 BookPage Reviews.
  • Kirkus Reviews : Kirkus Reviews 2019 May #2
    When one girl goes missing, another slides into her place in Smith's hauntingly gorgeous debut novel. At 14, Cindy Stoat lives with her two older brothers in rural Pennsylvania, "basically feral" since, a few months ago, their mother last floated out of their lives. And it is during this bleak summer that Jude Vanderjohn, the sometime girlfriend of Cindy's brother, Virgil, goes missing. Cindy has been fascinated by Jude for years: Jude is older and cooler than she is and better off, the daughter of a professor, and the only black person in school ("well, mixed, but in Greene County that meant basically the same thing"). In the weeks after her disappearance, it is Virgil who takes on the role of caretaker for Jude's ailing, alcoholic mother, Bernadette. Cindy's presence at Bernadette's is, at first, a fluke, a way to escape the oppressive reality of her own life at home. Until, one night, Bernadette, in her state, mistakes Cindy for Jude, and Cindy slowly slips into the role. "I wasn't trying to become Jude. Not exactly. But I wanted to disappear, and she had left a space," sh e explains. "When I stepped into that space, I vanished from my senses. It changed me into someone who didn't have my actual mind." As Jude, Cindy becomes, for the first time, somebody's daughter, even if it's a delusion. Alone together, the two share a tenuous dreamlike existence where Jude isn't lost and Cindy is loved. And it's a kindness, isn't it, to spare Bernadette from unthinkable pain? This is how Cindy justifies it to herself, anyway—how she keeps justifying it even after she's crossed lines that can't be uncrossed. It sounds overwrought; it isn't. Smith, who never insults her characters by pitying them, captures this unstable world with matter-of-fact poetry, spare and sensual and surprisingly funny. Bleak and vivid; Smith's characters are as rich as her prose. Copyright Kirkus 2019 Kirkus/BPI Communications. All rights reserved.
  • LJ Express Reviews : LJ Express Reviews

    DEBUT Scraping by in rural Pennsylvania with older brothers Clinton and Virgil after their mother seemingly wanders off for good, 14-year-old Cindy Stoat is the classic outsider. And Jude Vanderjohn is the classic glamour-queen teen whose disappearance has the town in an uproar. Surprisingly, Jude had been involved with Virgil, who rushes over to care for Jude's wealthy if burnt-out, alcoholic hippie-artiste mom, bringing Cindy along to help. One day, deeply in a daze, Bernadette mistakes Cindy for her lost daughter, though Jude is of mixed raced (which makes her black in Appalachia) and Cindy is white. Cindy plays along, both for Bernadette and for herself, but this is no Cinderella story. However much she needs love and a better live, Cindy carries her role uncomfortably, in the end learning that it's one she just can't play. VERDICT Unexpectedly hard-edged, this engrossing story from first novelist Smith feels lived-in and real. In the end, what happens to both Jude and Cindy comes as a surprise, teaching us what we can and can't escape and what it means to remake ourselves despite the past. [See Prepub Alert 1/23/19.]—Barbara Hoffert, Library Journal

    Copyright 2019 LJExpress.
  • Publishers Weekly Reviews : PW Reviews 2019 May #4

    Smith's solid debut follows the isolated and overlooked life of a teen in rural Pennsylvania. After 14-year-old Cindy Stoat and her older brothers, Clinton and Virgil, are abandoned by their mother, they make do with canned goods, candy, and income from the brothers' lawn-mowing business amid the constant meddling of education officials who hope to bring Cindy back to school. Their stagnant and isolated existence is broken open when a teenage neighbor, Jude Vanderjohn, goes missing. A popular but complicated girl, Jude is so much of what Cindy herself feels she could never be, and her disappearance rocks not only the community, but Cindy's day-to-day existence, especially after Virgil begins bringing her to spend time with Jude's mother, Bernadette. Bernadette is a former hippie, a half-mystic, and an alcoholic who mistakes Cindy for her disappeared daughter, an identity crisis that Cindy cherishes, hoping desperately for her life to change, and leading to a terrible decision as she tries to maintain the illusion. Smith's rural world is brought to life with precise and devastating descriptions of poverty and neglect, though sometimes the lyricism of the prose doesn't gel. Still, fans of Gabriel Tallent's My Absolute Darling will appreciate Cindy's toughened point of view and Smith's close attention to the details of rural Appalachian life. This is a promising debut. (July)

    Copyright 2019 Publishers Weekly.
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